Hollywood’s de facto governing body, the Academy of Motion Picture Arts and Sciences, voted overwhelmingly Saturday to “immediately expel” Harvey Weinstein, breaking with 90 years of precedent and turning one of the biggest Oscar players in history into a hall-of-fame pariah.
The academy’s 54-member board of governors made the decision at an emergency session after investigations by The New York Times and The New Yorker that revealed sexual harassment and rape allegations against Weinstein going back decades.
In a statement, the academy said the vote was “well in excess of the required two-thirds majority.”
It added, “We do so not simply to separate ourselves from someone who does not merit the respect of his colleagues but also to send a message that the era of willful ignorance and shameful complicity in sexually predatory behavior and workplace harassment in our industry is over. What’s at issue here is a deeply troubling problem that has no place in our society.”
The academy said it would “work to establish ethical standards of conduct that all academy members will be expected to exemplify.”
Weinstein, who was fired by the movie and television studio he co-founded, The Weinstein Co., has denied rape allegations while acknowledging that his behavior “caused a lot of pain.”
Although largely symbolic, the ouster of Weinstein from the roughly 8,400-member academy is stunning because the organization is not known to have taken such action before, not when director Roman Polanski, a member, pleaded guilty in a sex-crime case involving a 13-year-old girl; not when women came forward to accuse Bill Cosby, a member, of sexual assault; and not when Mel Gibson allegedly went on anti-Semitic tirade during a drunken-driving arrest in 2006 or pleaded no contest to a charge of battery against a former girlfriend in 2011.
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Now, the academy may be forced to contend with other problem members.
Scott Feinberg, longtime awards columnist for The Hollywood Reporter, said, “This may well be the beginning of a very tough chapter for the academy. The next thing that is going to happen, rightly or wrongly, is that a wide variety of constituencies are going to demand that the academy similarly address other problematic members.”
Feinberg added that he was speaking of academy members like Polanski and Stephen Collins, the “7th Heaven” actor who admitted in 2014 that he molested teenage girls in past decades that resulted in police investigations but no charges in New York and Los Angeles.
Permanent expulsion
Before Weinstein — who built two studios on the back of the Academy Awards, securing more than 300 nominations for his movies — only one person was known to have been permanently expelled from the academy. Carmine Caridi, a character actor, had his membership revoked in 2004 for violating an academy rule involving Oscar voting. He got caught lending DVD screeners of contending films; copies ended up online. (In the 1990s, a couple of people were temporarily suspended for selling their allotted tickets to the Oscar ceremony.)
The academy’s board, roughly 40 percent female, includes Hollywood titans such as Steven Spielberg, Whoopi Goldberg, Lucasfilm chief Kathleen Kennedy, Tom Hanks, documentarian Rory Kennedy and Jim Gianopulos, chairman of Paramount Pictures.
In an example of Weinstein’s reach, at least 10 governors have worked on films that he produced or that his studios have released. One board member, Christina Kounelias, now an executive vice president at Participant Media, started her career at Miramax — founded by Weinstein and his brother, Bob — working in publicity for four years.
The board’s president is John Bailey, a cinematographer whose credits include “Ordinary People,” a winner of the 1981 Academy Award for best picture, and “Groundhog Day.” Lois Burwell, who is listed as its first vice president, is a makeup artist who won an Oscar in 1996 for her work on “Braveheart.”
The meeting of the board was called Wednesday. In the days leading up to it, as the industry was dealing with new public accusations against Weinstein published in The New Yorker, The New York Times and on social media, some board members spoke among themselves to see if they could reach an informal consensus on how a vote on the mogul’s status would go.
Kennedy, an eight-time Oscar nominee, told fellow board members that she was outraged by the allegations, according to a person briefed on advance discussions, who spoke on the condition of anonymity to comply with academy confidentiality strictures. But Kennedy was also said to be aware that pushing him out could put the academy on a slippery slope.
The Saturday meeting was held inside a colossal conference room on the seventh floor of the academy’s mirrored-glass tower on Wilshire Boulevard in Beverly Hills.
The discussion was largely contained to Weinstein, according to two people there, but the board spent also spoke about the implications of censuring him. Polanski was one name mentioned.
In addition to the seriousness and plenitude of the allegations against Weinstein, the board concentrated on workplace abuse. Weinstein often used the pretext of meetings — casting sessions, script discussions — to lure women to hotel rooms, The New York Times and New Yorker investigations found.
It was not a heated discussion. “Everyone seemed aligned,” one board member said.
Adulation, power
No person has been more closely associated with the Academy Awards in recent decades than Weinstein, who won a best picture Oscar in 1999 for “Shakespeare in Love” and who orchestrated campaigns that resulted in more than 80 statuettes for films released by the studios he ran, including five best picture Oscars for “Shakespeare in Love,” “The English Patient,” “Chicago,” “The King’s Speech” and “The Artist.”
The adulation afforded him power — so much power that many women feared reporting his alleged abuses — and gave him the credibility he was able to use as a shield whenever rumors of his behavior started to swirl.
Starting in 1990, when he pushed a pair of foreign films, “My Left Foot” and “Cinema Paradiso,” to Oscar glory, Weinstein became famous for sharp-elbowed, ethics-be-damned campaign tactics. According to “Down and Dirty Pictures,” Peter Biskind’s 2004 book about the independent-film movement spurred by Weinstein’s Miramax studio, he once courted voters at a movie industry nursing home.
Initially horrified, the Hollywood establishment soon copied his playbook, turning Oscar season into a free-for-all. But Weinstein remained the maestro, peaking at the 2003 Oscars, when he had a hand in four of the five films nominated for best picture. (Miramax’s “Chicago” was the winner.)
Weinstein was such a force that year that the Los Angeles Times nicknamed the ceremony “the Harveys.”
He alternately charmed and bullied the trade press and glossy magazines, and the lavish parties he threw on the night before the Oscars ceremony became a status destination in Hollywood. The most recent Weinstein Co. bash, held in February at the Montage Beverly Hills hotel, included among its guests Lin-Manuel Miranda, Jay-Z and Beyoncé.
Talk of bankruptcy
His fall has come hard and fast. The first article to appear in The New York Times on women’s accusations against Weinstein was published Oct. 5. While authorities in New York and London are investigating Weinstein, no charges have been filed against him.
Pressure had been building on the academy to purge Weinstein. Last week, as actresses including Ashley Judd, Angelina Jolie and Gwyneth Paltrow came forward with stories about encounters with him and the British Academy of Film and Television Arts kicked him out, the academy essentially punted, releasing a statement condemning Weinstein’s alleged behavior as “repugnant, abhorrent” and saying it would meet Saturday to discuss “any actions warranted.”
While the Academy of Motion Picture Arts and Sciences worked to corral its vast board, members started to come forward to demand action. A Change.org petition demanding that the academy banish Weinstein gathered more than 160,000 signatures.
The emergency academy meeting took place after employees and several board members began fleeing the boutique movie studio Weinstein helped found as talk of bankruptcy swirled around it. On Friday, one person at The Weinstein Co., which has roughly 150 employees in New York and Los Angeles, described an operation in chaos, with phones going unanswered and some staff members in revolt.
Bob Weinstein, now scrambling to salvage The Weinstein Co., is facing mounting questions about what he knew about his brother’s behavior and why he did not intervene. In a Hollywood Reporter interview published Saturday, he said, “I find myself in a waking nightmare. My brother has caused unconscionable suffering. As a father of three girls I say this with every bone in my body — I am heartbroken for the women that he has harmed.”
The Producers Guild of America was also scheduled to meet Saturday to discuss revoking Harvey Weinstein’s membership. Late Friday, the group moved the special meeting to Monday. Under that group’s bylaws, Weinstein will have two weeks to respond to any action. The same guild gave the Weinstein brothers its Milestone award in 2013, citing their “historic contributions to the entertainment industry.”
In a sign of the international nature of the condemnation of Weinstein, the French government Saturday said it had started a process that could strip him of his Legion of Honor, the country’s highest civilian distinction, which he received in 2012.
The production studio has also felt pressure from people in the creative community whom it once championed, with the creative forces behind the musical “In the Heights,” Miranda and Quiara A. Hudes, publicly calling on The Weinstein Co. to relinquish its movie-adaptation rights.
Oscar-nominated actor Benedict Cumberbatch, star of “The Current War,” a Weinstein Co. film that was supposed to be marketed as its main 2017 Oscar contender, said Tuesday that he was “utterly disgusted” by Weinstein’s “horrifying and unforgivable actions.”
Apple has ended plans for a Weinstein-produced series about Elvis Presley, and Amazon said Friday that it would not move forward with a Weinstein-produced mafia series from Academy Award-winning director David O. Russell that had previously received a two-season commitment and was to have been budgeted at an estimated $160 million.